Modern-form makers: Dahhinden, Meier, Candela, Calatrava, Ultzon, Tony Hunt, Peter Rise.
25/02/2015
Personal summary of reading: “The diversity of timber in Alvar Aalto's architecture: forests,
shelter and safety”, by Teija Isohauta
Alvar Aalto’s home country helped to
landscape his future through timber. This material played a vital role for his
upbringing as its was used for buildings, heat sources, furniture, footwear,
textiles and paper. His early work as an architect mostly dealed with timber,
through tradition and because of the practice he was at. He worked with timber
through the classical tradition as well as being inspired by classicism.
Rural log building’s simplistic forms as
well as exhibition buildings intrigued Aalto. Temporary structures allowed him
to explore and trial new ideas, materials, add construction techniques that led
to Aalto bending metal in which he then began testing upon timber. Further more
organic forms inspired him and nature was a big influence upon his concepts.
I enjoy that Aalto explored his ideas
through temporary structures; in a similar manner as I do at university but for
design through sketch models. I also admire that he stuck to mostly using
timber yet he didn’t just accept the form it came in naturally, he would
explore and push the biologic properties to create organic and exciting forms.
Timber is a beautiful material in architecture and I would like to use Aalto’s
works as precedents in the future for there suppleness and clean finish but
also the amount of detail that goes into his works to create the final outcome.
Photo reference: http://www.studiointernational.com/index.php/alvar-aalto-library-in-vyborg-saving-a-modern-masterpiece
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