Nurturing dreams: collected essays on architecture and the
city, by
Fumihiko Maki (2008) [electronic resource] (pp. 180- 192).
This Article shows the reader Fumihiko’s
admiration and understanding of Le Corbusier lifespan and named the ‘’Le
Corbusier Syndrome’’; this can be described as ‘a single strong impact,
followed by waves that diminish with time and duration.’ Le Corbusier had his
education, travelled and produced work throughout Europe. This would eventually
have a rippling effect towards the young Japanese architects of the 1920’s and
30’s. Le Corbusier Syndrome has been
divided into three periods, which Fumhiko explains well.
The
first period started from the late 1920’s till the 1930’s, pre WWII, and
through the 1920’s some young Japanese architects began to visit Le Corbusier
works and even become apprentices to him. Through media including magazines in
which Le Corbusier featured, Japan grew more and more interest into him as an
architect and his ideas. According to Fumihiko this is the ‘period in which the
Japanese architectural world began to discover its self.’ Le Corbusier’s
infamous five points of Vers une
architecture were taken onboard into architectural vocabulary; In
particular pilotis, the roof garden and the free plan were elements that aided his popularity to be seen
as a ‘hero and focus of attention to many architects.’
The second period of the Le Corbusier
syndrome is apparent through the post war years. …. Japan develops unique style
collaborating western culture.
The third period is relevant to after
Corbusier passed away. His work was greatly celebrated and his
thesis/buildings/designs are still highly influential on the 21st century
architecture we see today.
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