This blog has been made in accordance to module requirements for the Architecture in Context module at Nottingham Trent University in relation to BA (Hons) Interior Architecture and Design. In total I have 23 readings to examine and provide an opinionated summary of the reading.
Reading in accordance to lecture: The idea of Modern Architecture: Adolf Loos, Art Deco, pre-war architecture. 15/10/2014
This summary is based upon reading pages 7-29
The Globalisation of modern architecture:
the impact of politics, economics and social change on architecture and urban
design since 1900 – Robert Adam, ebrary, inc, 2012
All human settlements were connected
between the fithteenth and seventeenth century thanks to European voyage and
exploration. This allowed countries to trade their goods with others, or to
isolate them if they so wished. Cultures
and governments and wealth would influence the arts and styles of architecture;
which is turn produced nationalism and patriotic citizens. I noticed a trend
that Internationalism would not follow through from strong nationalist
countries, especially is the country had an extreme government: such as Germany
and Japan left their signatories for the League of Nations. Architecture was
also used as a status symbol; Russia’s Monument to the third international
wasn’t erected but its style and size symbolised Russia’s power and advances
against other nations. Further more Architecture has also been used to
represent nations; The Eiffel Tower is instantly associated and recognised as
Paris, France. Architecture is used as a symbol as well as an expression of
art.
Classical Architecture I believe has been
spread internationally, but has been developed into various styles nationally
through culture and religion. Advances in technology and industry have in my
opinion sped up the slow-paced architectural movements. The 21st
century has seen astonishing advances of engineering and Architecture: the
first mechanised flight in 1903, atomic bombs to the first skyscrapers. Architecture is rapidly progressing with the combination of science and design allowing new processes and materials to develop; in return allowing previous limits to be limitless and architecture to perform in whatever forms desired.
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